Objectives:
– Document the life cycle of the Bolga basket—from raw material harvesting to final sale.
– Highlight the lived experiences of women artisans, particularly widows and mothers who use weaving to fund school fees, farming, and household needs.
– Assess environmental and labor risks associated with elephant grass collection and the increasing cost of materials due to land scarcity.
– Capture oral histories, daily routines, and spiritual practices through formal interviews, field photography, and immersive storytelling.
– Support visibility for cultural leaders like Prosper Agesine and Big Momma, who facilitate intergenerational craft preservation.

2026 Project Components:
– Field study and participant observation
– Oral history interviews and translation support
– Visual documentation (film and photography)
– Cultural and geographic immersion
– Observation of basket production supply chains
– Community relationship-building and reciprocal engagement
Deliverables:
– A professionally edited short film highlighting the artistry and lives of the weavers
– A photography and textile exhibition showcasing their work and cultural significance
– An online platform for sharing the stories, images, and film with a global audience
Why Me / Why Now
I am a professional photographer and cultural documentarian with deep ties to Ghana, having spent extensive time in Bolgatanga during the COVID-19 pandemic and afterward. My relationships are not transactional—they’re familial. I return not as a tourist but as a trusted listener, a witness, and a collaborator. This project emerges from lived experience and mutual exchange—not detached observation.
The story began by chance, but its impact continues to grow. The time to document this is now, before gentrification, market forces, and generational gaps alter it beyond recognition.